![]() ![]() RESOLUTION & PIXEL COUNTįor film, resolution is the term used to describe how much detail can be resolved usually measured in line pairs (lines per mm or lines per inch). For the remainder of this article this format will be referred to as “Full Frame.” In the chart below the red rectangles represent the relative physical size of many common cameras and formats. A Full Frame digital sensor like the ones found in a Canon 5D, Sony a7S I II or the Sony Venice, as well as traditional 35mm still photography film, all have areas that measure roughly 36x24mm. Sensor size is the physical size (area, not number of pixels) of a camera’s image sensor, usually measured in mm width x height. Also, not all lenses work with all formats, and not all formats are the right choice for every project. ![]() All these formats need lenses, and the lens market is bigger and more confusing than ever. Today with digital cameras, we have more formats than ever: 1/2”, 2/3″, Micro Four Thirds, Super-35, DX, APS-C, Full Frame, Vista Vision, etc. These are literally measurements of the physical size of film used to capture the images (in this article, I won’t dive into exactly how the film is measured and what direction it passes in front of the camera). Motion picture film formats are fairly straight forward: 8mm, 16mm, 35mm, 70mm. digital or film? If film, which format? If digital, what camera and sensor size? There is no single “best” format that is right for every project or situation. However it’s important to know the differences as well as what results should be expected before selecting your sensor size and lenses. With the release of more high-end video cameras with larger sensors like the ARRI Alexa LF, Panavision DXL2, RED MONSTRO, and the Sony Venice and more recently with the Sony FX-9, Canon C500 II, Sony A7S Mk III & Panasonic S1H we have more choices than ever when it comes to formats and lens options. – “What will full frame lenses look like on a S-35 sensor.”Īrticle reproduced with kind permission from the online rental marketplace ShareGrid MORE FORMATS THAN EVER World-class service and cutting edge solutions.This article aims to help questions such as: Cooke Anamorphic 1.8x Full Frame Plus PrimesĪ motion picture camera rentals resource, dedicated to bringing you.The complete set can also be converted to Super 35 coverage for cinematographers hoping to capture more edge aberration and optical character on smaller formats. ![]() This more uniform compression helps reduce the “mumps syndrome” that occurs in many other anamorphic lens designs. Also, this system helps maintain a constant anamorphic compression across the entire field of view. This creates an artistic “attention pull” without creating a “zoom” effect as well. The aesthetic result is the compression of the subject in the vertical plane only. The entire 1.79x squeeze set, 48mm, 60mm, 75mm, 90mm, 112mm, & 150mm will cover full frame sensors and offer the traditional optical aberrations and flare characteristics unique to front anamorphic lenses. The Chameleon Primes employ a Stokes focus system that creates a fairly unique focusing experience compared to many other anamorphic primes. The Caldwell Chameleon Anamorphic prime lenses offer a retro anamorphic look with modern mechanics. ![]()
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